ARRI ALEXA 35

THE CAMERA

ARRI’s ALEXA 35 measures at 17 stops of dynamic range (exposure latitude), far more than any other digital cinema camera. Filmmakers gain 1.5 stops in the highlights and a stop in the shadows over previous ALEXA cameras, while retaining the naturalistic, film-like highlight roll-off. Sophisticated stray-light suppression ensures that the full character and contrast range of each lens is captured. Together, the increased dynamic range and stray light control make it easier to handle any lighting conditions on set, increase flexibility in post, and provide the best possible source for HDR projects.

ARRI Textures allow you to alter the amount and character of grain in the image, and the amount of contrast at different levels of detail, perceived as sharpness. Previous ALEXA cameras were pre-programmed with a default texture, but ALEXA 35 lets you choose from a menu of ARRI Textures, like selecting a film stock.

ARRI has crafted a new line of bespoke ALEXA 35 accessories that expand the camera's capabilities and ensure maximum speed and versatility on set. In addition to the electronic modules, a complete new set of mechanical support items provides flexible options for any situation, scaling quickly and easily from a small and lightweight setup to a full-blown production configuration. 

The ALEXA 35 empowers filmmakers to unleash their creativity without compromise. Backed by a legacy of innovation and a track record of delivering stunning visual experiences, the ARRI ALEXA 35 stands tall as the epitome of excellence in the realm of digital cinema, solidifying its position as the best camera ever made on the market.

SPECS

  • Sensor Type

    Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array

    Maximum Resolution

    4608 x 3164

    27.99 x 19.22 mm / 1.102 x 0.757"

    Ø 33.96 mm / 1.337"

    Sensor Frame Rates

    0.75 - 120 fps

    Photosite Pitch

    6.075 μm

    Exposure Latitude

    17 stops over the entire sensitivity range from EI 160 to EI 6400

  • Recording Media

    Codex Compact Drives

    Supported Formats

    MXF/ARRIRAW

    MXF/Apple ProRes 4444 XQ

    MXF/Apple ProRes 4444

    MXF/Apple ProRes 422 HQ

  • 4.6K 3:2 Open Gate:

    28.0 x 19.2 mm / 1.102 x 0.756"

    4.6K 16:9: 28.0 x 15.7 mm / 1.102 x 0.618"

    4K 16:9: 24.9 x 14.0 mm / 0.980 x 0.551"

    4K 2:1: 24.9 x 12.4 mm / 0.980 x 0.490"

    3.8K 16:9: 23.3 x 13.1 mm / 0,918 x 0.516"

    3.3K 6:5: 20.22 x 16.95 mm / 0.796 x 0.693"

    3K 1:1: 18.7 x 18.7 mm / 0.737 x 0.737"

    2.7K 8:9: 16.7 x 18.7 mm / 0.656 x 0.738"

    2K 16:9 S16: 12.4 x 7.0 mm / 0.490 x 0.276"

  • 4.6K 3:2 Open Gate: 4.6K (4608 x 3164)

    4.6K 16:9: 4.6K (4608 x 2592), 4K (4096 x 2304)

    4K 16:9: 4K (4096 x 2304), UHD (3840 x 2160), 2K (2048 x 1152)

    HD 16:9 (1920 x 1080)

    4K 2:1: 4K (4096 x 2048)

    3.8K 16:9: UHD (3840 x 2160)

    3.3K 6:5: 3.3K (3328 x 2790), 4K (4096 x 1716)

    3K 1:1: 3K (3072 x 3072), 3.8K (3840 x 1920)

    2.7K 8:9: UHD (3840 x 2160)

    2K 16:9 S16: 2K (2048 x 1152)

  • ARRIRAW 4.6K 3:2 Open Gate: 35 / 75 fps

    ARRIRAW 4.6K 16:9 - 4.6K: 45 / 75 fps

    ARRIRAW 4K 16:9 - 4K: 55 / 120 fps

    ARRIRAW 4K 2:1 - 4K: 65 / 120 fps

    ARRIRAW 3.8K 16:9 - UHD: 65 / 120 fps

    ARRIRAW 3.3K 6:5 - 3.3K: 55 / 100 fps

    ARRIRAW 3K 1:1 - 3K: 55 / 100 fps

    Apple ProRes 4.6K 3:2 Open Gate: 60 / 60 fps

    Apple ProRes 4.6K 16:9 - 4K: 75 / 75 fps

    Apple ProRes 4K 16:9 - 4K: 100 / 100 fps

    Apple ProRes 4K 16:9 - UHD: 120 / 120 fps

    Apple ProRes 4K 16:9 - 2K: 120 / 120 fps

    Apple ProRes 4K 16:9 - HD: 120 / 120 fps

    Apple ProRes 4K 2:1 - 4K: 120 / 120 fps

    Apple ProRes 3.3K 6:5 - 3.3K: 75 / 75 fps

    Apple ProRes 3.3K 6:5 - 4K 2.39:1 Ana. 2x: 90 / 90 fps

    Apple ProRes 3K 1:1 - 3K: 90 / 90 fps

    Apple ProRes 3K 1:1 - 3.8K 2:1 Ana. 2x: 100 / 100 fps

    Apple ProRes 2.7K 8:9 - UHD 16:9 Ana. 2x: 100 / 100fps

    Apple ProRes 2K 16:9 S16 - 2K: 120 / 120 fps

    (Compact Drive 1TB / 2TB)

  • Type

    Multi Viewfinder MVF-2 with 4" flip-out touchscreen monitor

    EVF Display Type

    OLED

    Flip-Out Monitor Display Type

    LCD

    EVF Resolution

    1920 x 1080px

    Viewfinder Diopter

    Adjustable from -5 to +5

  • Input

    1x PWR (LEMO 8-pin)

    1x BAT (camera rear interface / battery adapter)

    20.5 - 33.6 V DC

    Power Outputs

    1x RS (Fischer 3-pin) for 24 V accessory power out, start/stop and shutter pulse

    1x 12 V (LEMO 2-pin) for 12 V accessory power out

    1x LBUS (LEMO 4-pin) for lens motors & 24 V power out, daisy-chainable

    1x AUDIO (LEMO 6-pin) for balanced stereo line in and 12 V accessory power out

    1x ETH (LEMO 10-pin) for remote control, service and 24 V accessory power out

    With Power Distribution Module PDM-1: additionally 4x 24 V, 2x 12 V and 1x D-Tap

    Consumption

    ~ 90 W (Camera body and MVF-2)

  • Included Mounts

    LPL mount with LBUS connector

    PL to LPL adapter

    Flange Focal Depth

    LPL mount: 44mm

    PL to LPL adapter: 52mm

  • Audio Input:

    1x LEMO 6pin balanced stereo line in with 12V power output

    (line input max. level +24 dBu correlating to 0 dBFS)

    Two built-in microphones for scratch audio

    With Audio Extension Module AEM-1: additional 3x TA3 connectors (MIC/Line, +48 V, AES)

    With LPS-1 Fiber Camera Adapter FCA-1: additional 2x TA3 connectors (MIC/Line, +48 V, AES)

    Audio Output:

    SDI (embedded)

    3,5mm stereo headphone jack (on MVF-2)

  • Dimensions H x W x L

    147mm x 152.5mm x 203.3mm

    Weight

    ∼2.9 kg / 6.4 lbs (camera body with three antennas and LPL Mount (LBUS))

  • -20° C to +45° C / -4° F to +113° F @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics, IP 51

  • ARRI Look File ALF-4:

    - Import of custom 3D LUT

    - ASC CDL parameters (slope, offset, power, saturation)

    ARRI Look Library

    ARRI Textures

  • Four position built-in motorized ND filter: Clear, 0.6, 1.2, 1.8

    Fixed optical low pass, UV, IR filter

“ARRI’S FIRST NEW SENSOR IN OVER 10+ YEARS TAKES CINEMATOGRAPHY TO UNPRECEDENTED HEIGHTS.”

ALEXA 35 ENCOUNTERS - “NICE”

Runtime: 3:20

NOTABLE CREDITS

BABY REINDEER

2024

Directors: Weronika Tofilska & Josephine Bornebusch

DP: Krzysztof Trojnar

ABIGAIL

2024

Directors: Matt Bettinelli-Olpin & Tyler Gillett

DP: Aaron Morton

PRISCILLA

2024

Director: Sofia Coppola

DP: Philippe Le Sourd

ARRI ALEXA 35

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